Castellano
indice
INDEX


PREFACIO

I. PROYECCIONES FISICAS DE LA CIENCIA

[01] LAS 4 FUERZAS QUE RIGEN EL UNIVERSO
01.01 LA GRAVEDAD Y NEWTON
01.02 EL ELECTROMAGNETISMO Y MAXWELL
01.03 RELATIVIDAD Y EINSTEIN
01.04 MECANICA CUANTICA Y BOHR & CO.
01.05 PUNTOS BASICOS

[02] HACIA LAS NUEVAS TEORIAS
02.01 HOLOGRAMAS Y DENNIS GABOR
02.02 EL ORDEN IMPLICADO Y BOHM
02.03 CEREBRO HOLOGRAFICO Y PRIBRAM
02.04 EL PARADIGMA HOLOGRAFICO
02.05 TEORIA DE CUERDAS

[03] DONDE NOS ENCONTRAMOS?
03.01 UN BUEN PUNTO DE VISTA
03.02 ACELERACION FRECUENCIAL SISTEMATICA

[04] ASTROFISICA Y EL CAMBIO DE LAS EDADES
04.01 EL SISTEMA SOLAR BINARIO Y WALTER CRUTTENDEN
04.02 CONOCIMIENTO ASTRONOMICO MAYA Y JOHN MAJOR JENKINS
04.03 EL CAMBIO DE LAS EDADES Y GREG BRADEN




PROXIMAMENTE:

II. UNIVERSO CONSCIENTE

[05] LA COSCIENCIA DE LAS COSAS
05.01 INTRODUCCION
05.02 PARADOJA EPR Y TEOREMA DE BELL
05.03 ALGUNOS EXPERIMENTOS
05.04 CONCLUSION

[06] BIOLOGIA CONECTADA A LA CONSCIENCIA
06.01 CULTURAS CELULARES Y LIPTON
06.02 MOLECULAS DE AGUA Y EMOTO

[07] PISTAS MATEMATICAS PARA LA SOLUCION
07.01 LA PROPORCION AUREA Y LEONARDO PISANO
07.02 EL FRACTAL Y MANDELBROT

[08] GEOMETRIA DE LA VIDA GEOMETRIA AUREA
08.01 DAN WINTER
08.02 GEOMETRIA BASICA
08.03 ORIGEN DEL ALFABETO
08.04 QUE ES EL ADN?
08.05 IMPLOSION... ALINENDOTE CON PHI
08.06 GEOMETRIA AUREA EN OTRAS DISCIPLINAS

[09] LA DANZA DE LA VIDA HOLODINAMICA
09.01 VERNON WOOLF
09.02 LOS 8 PRINCIPIOS DE LA HOLODINAMICA
09.03 EL MODELO DE LA MENTE
09.04 HOLODINES
09.05 MECANISMOS DE LA CONCIENCIA






V. APENDICES

[16] EMPEZANDO A ENTENDER EL CALENDARIO MAYA
16.01 INTRODUCCION AL CALENDARIO MAYA
16.02 LA ONDA ENCANTADA 13x28
16.03 MES DE EJEMPLO LUNA MAGNETICA
16.04 LOS 20 SELLOS SOLARES
16.05 FAMILIAS ARMONICAS Y CROMATICAS
16.06 LOS 13 TONOS GALACTICOS
16.07 7 DIAS 7 PLASMAS RADIALES
16.08 ENCUENTRA TU KIN [FIRMA SOLAR]
16.09 EL TZOLKIN MODULO ARMONICO
16.10 EL ORACULO
16.11 ENCUENTRA TU ORACULO [GUIA DIARIO]
16.12 CONOCETE A TI MISMO
16.13 CONOCE A LA TIERRA


STRING FIELD THEORY

The theories of physics available to us present a reality in which everything is composed of atoms and subatomic particles.  These include electrons that orbit a nucleus made up of protons and neutrons, themselves consisting of smaller particles known as quarks.  String Theory uncovers an even smaller level, that of quarks. 

String Theory states that subatomic particles, quantum matter, are posed of small filaments of energy called strings.  A string is billions of times smaller than an atom.  If we enlarged an atom to the size of our solar system, a string would be like a tree.  Unlike pyramidal theory, which is based on a four-dimensional reality, String Theory is founded on a reality consisting of eleven dimensions.  

String Theory began to take shape around 1968, when Gabriele Veneciano stumbled upon a set of equations in a two-hundred-year old book by the Swiss mathematician Leonard Euler.  Considered for many years as nothing more than a mathematical curiosity, these equations seemed to describe strong nuclear force.  Later, Leonard Susskind, after studying Euler’s equations, discovered something else.  He saw that the equations described a species of particle with a vibrating internal structure, whose behavior was not limited to a precise particle, and deduced that what he was dealing with was a string.  Susskind wrote his findings up in an article and sent the paper to a group of experts, but the discovery was ignored.       

The recently born String Theory, it seemed, stood in the shadow of the physicists who had developed the standard theoretical model.  This model, developed between 1970 and 1973, unified electromagnetism with strong and weak nuclear forces, three of the four forces, yet left gravity out.

In 1973, String Theory started gaining ground once again.  At a time when only a few people were still working on it, John Schwartz continued trying to elucidate its mysteries.  The theory described a particle without mass that had yet to be found, in addition to being rife with mathematical anomalies and incongruities.  Schwartz thought that perhaps he was dealing with a theory of gravity and that the particle without mass that he was trying to free himself of was the graviton, which transmitted gravity at the quantum level.  He had hit upon the piece of the puzzle missing from the standard model, but there was still a long way to go.  Schwartz sent another article to the scientific community for review, and again it was roundly rejected.     

At the beginning of the 1980s, the theory was still hampered by mathematical anomalies that needed to be solved.  Schwartz and Michael B. Green wrestled with these aberrations until, in 1984, they had reduced everything to a single calculation.  When squared, the calculation released String Theory from all mathematical inconsistencies.  This time, when Schwartz and Green sent the article to the scientific community, the reaction was magnificent.  In just a year, the number of defenders of String Theory had jumped from several to several hundreds.   

The other problematic factor was that of additional dimensions.  To get a better grasp of this, we must look back to the year 1919.  It was then when Theodore Kaluza, rewriting Einsteinian theory by using five dimensions instead of four, introduced the additional dimension of space.  By adding this fifth dimension, Kaluza had neatly unified light, or Maxwellian electromagnetism, and gravity.  Light was now seen as vibrations in the fifth dimension.  In five dimensions there is “enough space” to unify light and gravity.  Kaluza sent his theory of an additional dimension to Einstein.  At first Einstein seemed interested, yet it was two years before he published an article on it.    

But where was the fifth dimension?  And what would it be like?  Could we even imagine it?  Oskar Klein, a Swedish theoretical physicist who investigated the work of Kaluza, is known for having come up with the idea that additional dimensions can be physical realities, although rolled up like a tube and extremely small.  This idea proved essential for String Theory/M Theory.  Klein said that if we look closely at an electrical cable from a distance, it seems to have only one dimension, a single line. 





But if we examine the cable at closer range, from, say, an ant’s point of view, we realize there is a second dimension enveloping the cable.  The ant could move forward and backward, but also clockwise and counter clockwise.  In other words, there would be two kinds of dimensions: long and extensive or short and circular, as if the latter enveloped the former.  As part of the Kaluza-Klein theory, this idea dared to suggest that the fabric of the universe might resemble the surface of a cable.  There would be large visible dimensions as well as small enveloping ones so tiny that we do not even see them.  If we shrank ourselves down billions of times smaller than our actual size, we would discover a minute dimension enveloping every point in space.  Therefore, the idea that we live in a universe of three spatial dimensions may not be completely accurate.  If we stop and think about this concept for a moment, we will realize that it is not necessary to reduce our size billions of times in order to appreciate this.  As we are already made up of parts this size, all we have to do is descend to this level within ourselves.  In fact, this is the aim of all ancient practices of meditation and introspection.    

As stated above, the concept of additional dimensions existing around us is the basis of String Theory.  In fact, the calculations that support String Theory require not one but six other dimensions, twisted and rolled up in a very complex way.  These six-dimensional structures are found where strings lean on each other, adopting the different forms that are responsible for everything that exists.  They make one string vibrate in a way that produces what we observe as a photon and another to vibrate in a way that produces an electron.  Science asserts that there are 20 figures, 20 fundamental constants of nature that give the universe its observable characteristics.  These figures indicate the mass of an electron or gravitational, electromagnetic and strong and weak nuclear forces.   According to String Theory, the tiny multi-dimensional structures are responsible for balancing the figures of these 20 constants of nature with absolute precision, thus keeping the cosmic symphony in tune.



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